Visible Mending
Feb
22

Visible Mending

This is a free workshop for Jockey Hollow Weaver Guild members.  Registration required. Registration can be found in the Members section of this website.

Materials fee: $5.00 Held at: Grace Luteran Church, 65 E Main St, Mendham.

In this hands-on practical workshop we will use traditional mending and darning methods while we explore the creative opportunities for surface design.

In recent years VISIBLE MENDING has caught the imagination of textile artists around the world.  I have studied with Celia Pym from England and Hikaru Noguchi from Japan and will bring you their very special ways of mending holes and tears in clothing and other materials.  We will also look at historical darning practices and the current concern for the environment that has come about with the popularity of FAST FASHION.          

Please bring an item or two to class that needs mending attention….and a bit of its history if possible.

    Warning…….visible mending is very addictive….promise!

Bio

Judith Symonds is a seasoned handwork teacher with a deep passion for traditional textile arts and sustainable practices. With a background that includes a two-year residential weaving course in Switzerland, she has spent many years honing her craft and sharing her expertise. Judith currently teaches a variety of hands-on workshops, including hand spinning, plant dyeing and printing, tapestry, knitting and crochet, book arts, paper making, hand sewing, and visible mending.


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Three-Day Workshop with Natalie Drummond: Color Lab and Deflected Doubleweave
Apr
3
to Apr 5

Three-Day Workshop with Natalie Drummond: Color Lab and Deflected Doubleweave

Presented by: Natalie Drummond

Day 1: Color Lab


On Day 1, we will focus on weaving value and hue selection and how to work with
multiple painted warps in 4 or 8 shaft deflected doubleweave patterns. I share my approach
with color for blocks as well as color placement within the same block of the draft I am
teaching. Participants are asked to share yarns they are considering using following initial
instruction.

Learn how to customize your weaving project by adding and building color into your prewarped looms following value and color studies of dyed warps. 


Day 2 & 3: Deflected Doubleweave


On day 2, we review basic Deflected Doubleweave structure and  behavior after sampling.
How do weavers address those wonky selvedges? Learn the basics of the “shuttle
diving technique” for 4 to 8 shafts. Mixing fibers for optimal deflection and/or
differential shrinkage are explored for draft(s) I am currently teaching as they play
an important part in the draft you are weaving. Simple treadling designs are
introduced in each sample so participants can determine how the block structure of
this weave can be organized to produce their own woven project - a scarf or runner
with remaining warp following sampling. Explore different washing and finishing methods to determine appropriate deflection/differential shrinkage. Day 3 will begin with a collaborative discussion of workshop samples prior to weaving the remaining warp.

Tuition 

$220 for current JHW members Members can sign up by visiting the Members only section

$250 for nonmembers (price include membership to JHW) Non Members can register here

Deposit due at the time of sign up:$100

Final payments will be due on March 1, 2025

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Process of a Production Weaver
Feb
5

Process of a Production Weaver

Presented by: Tina Bliss

Program Description: :

·        Brief history of my intro to production weaving, sources of information.

·        My process, step by step for sectional warping for my loom

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Deflection Detection
Jan
8

Deflection Detection

Presented by: Ellen Hess

What makes some woven threads form lovely curves and circles rather than 90 degree grids?  Learn the secrets of weave structures that use deflecting threads for their distinctive looks  and textures: lace weaves, honeycomb, waffle, M’s and O’s, surface weave effects and deflected double weave all share a common quality that allows them to ‘live off the grid’. Find out how you can harness the power of these fascinating weaves and create uniquely different woven patterns and motifs.

Ellen Hess is a longtime weaver and weaving teacher, who has taught for many years at the Fashion Institute of Technology (FIT) in New York City.

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Tibetan Fiber Production and Weaving Traditions
Nov
6

Tibetan Fiber Production and Weaving Traditions

Presented by: Fellows from the Modern Tibetan Studies Department, Columbia University.

Tibetan Fellows from the Green & Rural Business Development and Training program, organized by the Modern Tibetan Studies department of Columbia University, will give a presentation for the November 6 guild meeting. Fellows are young Tibetan entrepreneurs living in exile, whose initiatives focus on heritage preservation and developing self-sustaining economies for their refugee communities. The guild presentation will give a brief overview of the region's history of fiber production and weaving traditions, and introduce the 4 wool and pashmina-based projects working to engage the nomadic pastoralists who herd their animals in the remote Himalayan grasslands of Ladakh, a union territory of India.

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Natural Dyeing
Oct
2

Natural Dyeing

Presented by: Janet Ducote

Janet will discuss what a natural dye is, how to run a dyepot of yarn using natural dye extracts, creating more colors from a single dyestuff, interesting or usual colors and dyestuffs, and diving deeper with colors - value and hue gradations.  She’ll have some naturally dyed yarns and textiles, samples of some dyestuffs, and a document that covers tips for natural dyeing, troubleshooting, safety and stewardship, and care for your naturally dyed fibers.  She wants everyone to be aware of what is possible, and what to aim for to get you there.

* Janet's presentation will be recorded and will be available for viewing for two weeks on the JHW website, but the meeting will not be a hybrid meeting, so it will not be broadcast simultaneously on Zoom.


Janet’s journey into natural dyes started in the late 1990s, when she decided to explore textiles more seriously.  Since then, she studied natural dyeing on yarn under Michele Wipplinger, founder of Earthues.  Janet’s curiosity led her to also “play” in painted warp and cloth, katazome, wax batik and shibori.  Her growing interest and love of color took her further; she counts herself lucky to have attended Michele’s Color Institute East group, where she studied color theory, as applied to yarn and weaving.  Beyond dyeing and color, Janet studied Composition and Theory for Abstract Painters under Laury Egan, tapestry weaving with Archie Brennan and Susan Martin Maffei (in their On-Going Tapestry Tutorial sessions), and garment design & construction with various teachers.  At her previous guild she created and coordinated the Design Study Group, as well as led many of the exercises.  She holds a BS in biology and worked as a biochemist early on.

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Algebraic Expressions in Handwoven Textiles
Sep
4

Algebraic Expressions in Handwoven Textiles

Presented by: Sally Orgen

Learn about Ada Dietz and her 1952 monograph Algebraic Expressions in Handwoven Textiles. Designed for weaver who are not mathematically gifted. Attendees will examine how Dietz’s method can be applied to any weaving structure. This seminar will explain her unique naming convention and display samples woven in 2022 by Cross Country Weavers. Attendees will be encouraged (and guided) in designing their patterns using Ada’s methods with the time remaining. No calculators are needed, and proficiency in algebra is not required.

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It's In The Warp: Color and Design in Rep - 3 Day Workshop
Apr
4
to Apr 6

It's In The Warp: Color and Design in Rep - 3 Day Workshop

3-day Workshop

Rosalie Neilson, Instructor

Workshop fee: $175

Materials fee: $25 includes three spiral-bound notebooks, netting shuttle, supplies for color wraps.

Deposit: $100, due at time of sign up

Maximum number of participants: 16

(Currently open to JHW Members only. Please go to the Members section to sign up)

Skill level: Advanced Beginner to Intermediate weaver.

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Rep Weave
Apr
3

Rep Weave

This Powerpoint Presentation introduces fiber artists to the weave structure called Warp-faced Rep. Slides include projects woven on 4 to 16 shafts, many which have appeared in Handwoven magazine. See the steps involved in setting up a loom for warp-faced rep, oftentimes referred to by the Swedish word ripsmatta which translates to rep mat. Documentation also includes projects woven by weavers in Rosalie’s Rep workshops taught throughout the country, showing how weavers interpret similar drafts both in patterns and color.

ROSALIE NEILSON BIO

Rosalie Neilson uses color and geometric design in her weaving and kumihimo braiding. As a designer and teacher, she publishes regularly in weaving and braiding journals and maintains an active teaching schedule throughout the United States, Canada, and England. Her published works include “The Thirty-Seven Interlacements of Hira Kara Gumi,” “The Twenty-Four Interlacements of Edo Yatsu Gumi,” “Kongō Gumi: A Cacophony of Spots—Coils--Zags—Lines,” and a two-volume book on block design “An Exaltation of Blocks”. She is featured in a 2-hour rep weave video by Interweave Press (now owned by Long Thread Media). www.rosalieneilson.com

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Fiberworks
Feb
7

Fiberworks

Virtual Meeting via Zoom

Introduction to the Fiberworks software and its capabilities, for both the beginner and experienced user

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Learn to Weave Workshop
Jan
13

Learn to Weave Workshop

Explore this time-honored craft, on a 4-shaft loom that allows patterning and play. Designed for beginners, and using colorful carpet warp, this workshop will take students through the warping process and teach them to understand patterning, reading a draft, color interaction, and how to weave good cloth. Plain weave, twills, rib, and basket structures, and ‘color and weave’ will be covered. All materials will be provided, and students may take home their sampler. Space is limited to 15.

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Learn Triaxial Weaving in December - No Loom Required!
Dec
6

Learn Triaxial Weaving in December - No Loom Required!

Weaving with ribbons, participants will create a small sample to learn the technique in this hands-on program. Finished samples can be used in greeting cards, or larger pieces can become book covers, placemats, runners, tote bags, or even garments such as vest fronts or jackets!

Click 'View Event' for details on participation and materials needed.

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